Grammar
Tenses
Present
Present Simple
Present Continuous
Present Perfect
Present Perfect Continuous
Past
Past Continuous
Past Perfect
Past Perfect Continuous
Past Simple
Future
Future Simple
Future Continuous
Future Perfect
Future Perfect Continuous
Passive and Active
Parts Of Speech
Nouns
Countable and uncountable nouns
Verbal nouns
Singular and Plural nouns
Proper nouns
Nouns gender
Nouns definition
Concrete nouns
Abstract nouns
Common nouns
Collective nouns
Definition Of Nouns
Verbs
Stative and dynamic verbs
Finite and nonfinite verbs
To be verbs
Transitive and intransitive verbs
Auxiliary verbs
Modal verbs
Regular and irregular verbs
Action verbs
Adverbs
Relative adverbs
Interrogative adverbs
Adverbs of time
Adverbs of place
Adverbs of reason
Adverbs of quantity
Adverbs of manner
Adverbs of frequency
Adverbs of affirmation
Adjectives
Quantitative adjective
Proper adjective
Possessive adjective
Numeral adjective
Interrogative adjective
Distributive adjective
Descriptive adjective
Demonstrative adjective
Pronouns
Subject pronoun
Relative pronoun
Reflexive pronoun
Reciprocal pronoun
Possessive pronoun
Personal pronoun
Interrogative pronoun
Indefinite pronoun
Emphatic pronoun
Distributive pronoun
Demonstrative pronoun
Pre Position
Preposition by function
Time preposition
Reason preposition
Possession preposition
Place preposition
Phrases preposition
Origin preposition
Measure preposition
Direction preposition
Contrast preposition
Agent preposition
Preposition by construction
Simple preposition
Phrase preposition
Double preposition
Compound preposition
Conjunctions
Subordinating conjunction
Correlative conjunction
Coordinating conjunction
Conjunctive adverbs
Interjections
Express calling interjection
Grammar Rules
Preference
Requests and offers
wishes
Be used to
Some and any
Could have done
Describing people
Giving advices
Possession
Comparative and superlative
Giving Reason
Making Suggestions
Apologizing
Forming questions
Since and for
Directions
Obligation
Adverbials
invitation
Articles
Imaginary condition
Zero conditional
First conditional
Second conditional
Third conditional
Reported speech
Linguistics
Phonetics
Phonology
Semantics
Pragmatics
Linguistics fields
Syntax
Morphology
Semantics
pragmatics
History
Writing
Grammar
Phonetics and Phonology
Semiotics
Reading Comprehension
Elementary
Intermediate
Advanced
Teaching Methods
Teaching Strategies
Suprasegmental features
المؤلف:
Valerie Youssef and Winford James
المصدر:
A Handbook Of Varieties Of English Phonology
الجزء والصفحة:
521-30
2024-04-13
1455
Suprasegmental features
The most common lay reaction to Trinidadian speech world-wide is that it is ‘singsong’. Associations have been made very broadly to Welsh as well as to African tone languages (e.g. Carter 1979) and, for Trinidad specifically, some speakers’ intonation patterns have also been linked with Spanish, French creole, and Bhojpuri. The current and overall reality is a prosody which has been adapted through all these influences, and which is, at this point in time, peculiarly ‘Creole’.
Trinidadian and Tobagonian also exhibits a peculiar intonational characteristic in mesolectal speech of a rising intonation at the end of an utterance as if the speaker is in doubt or questioning (cf. Allsopp 1972). It may be that the speaker is seeking a responsiveness in the hearer as he/she does when using the very popular local tag Right?
Solomon (1993: 34) identifies pitch as the critical prosodic feature rather than stress although he admits it is difficult to abstract pitch from tone. Winer (1993: 19-20) also notes ‘a higher and wider’ pitch range than in StE and ‘less degree of fall at sentence end’. The features of pitch and stress are confounded between English and Trinidadian speakers, the former hearing Trinidad pitch as stress. Solomon (1993: 34) equates the system with the Guyanese one as described by Allsopp (1972). The result is that disyllable words are most often either high-low or low-high, the latter being the more common and older pattern; in trisyllable words it is common to find a low-low-high or high-high-low pattern. Solomon has described longer items, as characteristically either low-low-high-high or, when they break into two, as low-high-high, low-high. All this can often result in a change of the characteristic English pattern such that unstressed syllables in that variety often come to carry high pitch in Trinidadian. The most common patterns in Trinidadian overall are low-high, low-low high and low-high high, and this creates some contrasting patterns with many varieties of Standard English, e.g (Capitals indicate stress, apostrophes denote pitch) COCKroa’ch, MAChine; TRInida’d; CARpe’nte’r. Interesting contrasts may be observed between ’opponent and cha’racter, ’component and com’merce. These features of the language can cause difficulty in comprehension for speakers of other varieties and the inconsistencies are very challenging for learners of the Trinidadian variety.
James (2003) analyses the role of tone in the organization of grammatical morphemes in a number of the subsystems of TobC. Among his findings about tone are that:
a) In TobC tone is morphemic in the case of the homophones kyã ‘can’ vs. kyã ‘can’t’);
b) In TobC tone distinguishes emphatic from non-emphatic meanings in the homophones dèm vs. dém;
c) In TobC tone typically combines with rhyme length to distinguish the members of emphatic-nonemphatic pairs—high tone with long-vowel and vowel-consonant sequences, and low tone with single vowels (e.g., shíí vs. shì and dém vs dè);
d) In TobC tone is differentially associated with certain grammatical (sub)categories, with low tone associating with the definite article dì, the singularising article wàà, certain preverbal articles (e.g., imperfective à and future gò), the third person singular general object pronouns àm / òm, certain prepositions (e.g., à and pàn), and infinitival/possessive fù; and high tone associating with negators (e.g., nó and ẽ’), emphasiser dúú, interrogative / relative wé, demonstrative dà(t), certain prepositions (e.g., tón ‘according to’, gí ‘to/for’), intensifier húú, reportive sé, and certain preverbal particles (e.g., completive dón and passive gé); and
e) In TobC tone is variable on suffixes (e.g., sèf, séf) and the morpheme wan, among other morphemes, depending on where they occur in the syntax.
All in all, prosody contrasts markedly with other English varieties; the tendency to shared tonal and intonation patterns across Caribbean Creoles undoubtedly links back to the sharing of a common African tonal base despite the fact that no direct and precise links now survive.
الاكثر قراءة في Phonology
اخر الاخبار
اخبار العتبة العباسية المقدسة

الآخبار الصحية
